Next to the actual, finalized Fidelio overture, this is the most commonly performed version, and still sometimes replaces the Fidelio overture in some productions. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale.
#Sibelius music program series
72b (1806) one of a series of overtures composed for the opera Leonore, later renamed Fidelio. 68 (1808) features titled movements, country dances, bird calls, and a storm. 62 (1807) based on the story of Coriolanus The Passions: featuring Bas Sheva (1954).Many of Bach's cantatas contain elements that could be considered programmatic.Capriccio for keyboard in B♭ "On the departure of a beloved brother" BWV 992.This list of songs or music-related items is incomplete you can help by expanding it. However, not all the pieces used in the films were particularly programmatic, and in most cases the narratives illustrated by the animators were different from whatever programmatic narrative might have existed originally. For narrative or evocative popular music, please see Concept Album.Īny discussion of program music brings to mind Walt Disney's animated features Fantasia (1940) and Fantasia 2000 (1999), in which the Disney animators provided explicit visualizations of a number of famous pieces of program music. The orchestral program music tradition is also continued in some pieces for jazz orchestra. They will be excluded from this list except where they have been extensively popularized and played without the original vocals and/or stage performance. Opera, ballet, and Lieder could also trivially be considered program music since they are intended to accompany vocal or stage performances. Musical forms such as the symphonic poem, ballade, suite, overture and some compositions in freer forms are named as program music since they intended to bring out extra-musical elements like sights and incidents. This is distinct from the more traditional absolute music popular in the Baroque and Classical eras, in which the piece has no narrative program or ideas and is simply created for music's sake. Program music is a term usually applied to any musical composition on the classical music tradition in which the piece is designed according to some preconceived narrative, or is designed to evoke a specific idea and atmosphere.